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Guides · Kinds of postcards

Disaster postcards

When disaster struck an American town in the early 1900s, a photographer was usually on the scene within hours, and real photo postcards of the damage were on sale within days. Those cards are now some of the most vivid records of local history.

Why they are collected: disaster postcards document floods, fires, tornadoes, earthquakes, explosions, mine accidents and train wrecks, often in small towns where no other photographs survive. Real photo disaster cards, especially with captions naming the place and date, are widely collected by local historians, disaster collectors and topical collectors. Many sell for tens of dollars; dramatic, well-identified views of significant events can bring more. Printed views of famous disasters, such as the 1906 San Francisco earthquake, are more common.

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Why so many disaster postcards exist

In the early twentieth century, newspapers printed few photographs, and many towns had no local paper at all. Postcards filled the gap. Local and traveling photographers rushed to photograph flood waters, burned business blocks, wrecked trains and storm damage, then printed real photo postcards and sold them to residents and visitors. People mailed them to relatives to show what had happened, often with a message about how the family had fared.

Kinds of disasters on postcards

  • Floods. River floods that swept through towns, including major events such as the 1913 flood in Dayton, Ohio, and the great Mississippi River flood of 1927.
  • Fires. Business blocks, mills, hotels and whole town centers destroyed by fire, including the 1904 Baltimore fire and the 1908 Chelsea, Massachusetts, fire.
  • Earthquakes. Above all, the 1906 San Francisco earthquake and fire, which produced an enormous number of cards.
  • Storms and tornadoes. Cyclone damage to farms and towns across the Plains and Midwest, and coastal hurricanes.
  • Train wrecks. Derailments and collisions, which drew crowds of onlookers.
  • Mine and industrial accidents. Explosions, collapses and their aftermath.
  • Bridge failures and dam breaks.

What makes a disaster card more valuable

  • Real photo rather than printed.
  • Identification: a caption naming the town, the event and often the date, frequently written on the negative.
  • Small or remote places, where the card may be the only surviving image.
  • Dramatic, clear images showing the scale of the event, with people for context.
  • Significant events with strong historical interest.
  • Series: photographers often made numbered series of an event, and collectors try to complete them.

Common disaster cards

Printed views of famous disasters, especially the 1906 San Francisco earthquake, were produced in very large numbers and survive in quantity. They are collected but are individually modest in value compared with real photo views of smaller, local events.

Messages on disaster cards

The messages on these cards are often remarkable: firsthand accounts of rising water, a fire seen from a window, or reassurance that the family was safe. They add human interest, and they are part of what makes these cards meaningful as historical documents.

Disaster cards in a collection

Disaster cards usually appear in family albums near the time of the event, often several from one photographer's series. When I see them in a collection, they get close attention, because a single local disaster series can be among the most valuable parts of an album.

Treating them with respect

These cards record real losses and sometimes real tragedies. Collectors value them as history, and they deserve to be preserved and passed to people who will care for them.

Notable disasters often seen on postcards

Some events produced especially large numbers of cards, and collectors know them well:

  • The 1906 San Francisco earthquake and fire, documented in hundreds of printed and real photo views.
  • The 1913 Dayton, Ohio, flood, part of the wider Great Flood of 1913 across the Ohio Valley.
  • The 1927 Mississippi River flood, the most destructive river flood in American history at the time.
  • The 1904 Baltimore fire and the 1908 Chelsea, Massachusetts, fire, which destroyed large areas of each city.

Smaller local events, such as a mill fire in a New England town or a tornado on the Plains, were documented in far fewer cards, and those are often the most sought after today.

Questions people ask

Are old flood postcards worth anything?

Real photo flood views of identified towns are collected and often sell for tens of dollars; printed views of famous floods are more common.

Are 1906 San Francisco earthquake postcards valuable?

Many were printed and survive in quantity; real photos and unusual views are worth more than common printed scenes.

Who collects disaster postcards?

Local historians, collectors of a town or state, and topical collectors of fires, floods, storms and railroads.

Why are so many disaster cards captioned?

Photographers scratched captions onto the negative so buyers would know exactly what and where the scene was.

Do you buy disaster postcards?

Yes, as part of a complete collection.

How photographers worked

A photographer arriving at a disaster scene would take a series of views, often from high ground or rooftops to show the extent of the damage, then rush to develop and print them. Many scratched a caption with the place, event and date directly onto the glass or film negative, which is why so many disaster cards carry neat white lettering on the image. Some photographers numbered their views, and collectors today try to assemble complete sets of a particular event.

Disasters and town history

For many small towns, a flood, fire or tornado was a defining moment, remembered for generations. Local historical societies often hold few images of these events, and postcards in private collections can fill gaps in the record. That is why disaster cards from small places are so welcome among collectors, and why they deserve careful handling.

Photographing disaster cards for a quote

Photograph the fronts clearly enough that captions are readable, and include one back. If there are several cards of the same event, a single photo of them laid out together shows the series at a glance.

Are train wreck postcards collectible? Yes. Real photo wreck cards, especially captioned with place and date, are collected by railroad and disaster collectors alike.

Is it respectful to collect disaster postcards? Collectors and historians treat them as historical records, and preserving them keeps the memory of local events alive.

What if a disaster card has no caption? The scene, the buildings and the postmark often identify it, and collectors enjoy researching uncaptioned views. Include it with your photos and describe where the collection came from.

Sources and further reading

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Frequently asked questions

What kinds of old postcards do you buy?
Real photo postcards above all, especially small-town streets, storefronts, occupations and transportation. Also town views, embossed holiday cards (Halloween especially), topicals such as railroads, early cars, advertising, disasters and expositions, and whole inherited or estate collections. See what I buy.
Do you buy chrome or modern postcards?
Inside a larger older collection, yes, I take them with everything else. A collection of only glossy chrome cards from about 1960 onward has very little resale value, so I usually decline those on their own.
Do you buy foreign postcards?
When they come mixed into an American collection, yes. My focus is United States cards, but I take foreign cards along with the rest of the lot.
What if I have no idea what I have?
That's a very common situation, and it's fine. Describe what you can see in plain words (albums or boxes, roughly how many, black and white photographs or colored prints) and add a few photos. I'll tell you what it is.
Do you buy small lots or single cards?
My focus is collections and large lots, but a smaller group of good real photo postcards, early holiday cards or strong topicals is welcome. A handful of common printed views usually isn't worth shipping, and I'll tell you so honestly.
Should I send the albums or take the cards out?
Send the albums as they are. Removing cards can damage them, especially if they are glued or held by old photo corners, and an intact album tells me more about the collection.

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If what arrives is different from the photos and my offer has to change, you can say no, and I ship everything back to you at my expense.

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