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Guides · Kinds of postcards

Artist-signed postcards

Many early postcards were designed by professional illustrators who signed their work. Some of those names have followings of their own, and a signature in the corner can turn an ordinary-looking greeting into a collectible card.

What they are: postcards whose designs carry the signature of the illustrator, mostly from the early 1900s. Collectors follow particular artists, such as Ellen Clapsaddle and Frances Brundage for holiday and children's cards, Samuel L. Schmucker for Winsch holiday series, Harrison Fisher and Philip Boileau for glamour portraits, Rose O'Neill for her Kewpies, and European Art Nouveau artists like Alphonse Mucha and Raphael Kirchner. Value: varies widely by artist, design and condition, from a few dollars for common designs to considerably more for scarce designs by sought-after names.

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Why artist-signed cards are collected

During the golden age of the postcard, publishers competed on design, and they commissioned skilled illustrators to create holiday greetings, children's scenes, glamour portraits, humor and fine art cards. Many of those artists signed their work, and collectors today follow them the way others follow a painter or a photographer. A signature identifies the artist instantly and connects a card to a body of work that collectors know well.

Artists American collectors know well

Ellen Clapsaddle. One of the most prolific American postcard illustrators, known for sweet holiday and greeting designs featuring children, many published by the International Art Publishing Company. Her Halloween cards are especially sought after.

Frances Brundage. Known for charming children's illustrations on holiday and greeting cards for several publishers, including Raphael Tuck & Sons.

Samuel L. Schmucker. Designed many of the most admired holiday cards published by John Winsch, including Halloween and Valentine series, often unsigned but recognized by style.

Harrison Fisher. Famous for his glamorous portraits of fashionable young women, the "Fisher Girls", reproduced on many postcards.

Philip Boileau. Another popular illustrator of elegant women on early postcards.

Rose O'Neill. Creator of the Kewpies, whose postcards have a dedicated following.

Bernhardt Wall. Prolific designer of humorous and holiday cards.

European artists

Alphonse Mucha and Raphael Kirchner are among the most celebrated Art Nouveau artists to design postcards, and their cards are prized by fine art and postcard collectors alike. Louis Wain, famous for his cats, has a strong following, especially in Britain. Cards by these artists can be valuable in fine condition.

What affects value

  • The artist. Some names have much larger followings than others.
  • The design. Scarce designs and popular subjects within an artist's work, such as Clapsaddle Halloween cards, bring more than common greetings by the same artist.
  • Publisher and series. Some publishers' series are especially desirable.
  • Printing quality. Fine embossing and rich prewar color.
  • Condition. Clean, bright cards with sharp corners.

Unsigned cards by known artists

Many cards by known illustrators are unsigned, but specialists can recognize the style and the publisher's series. If you have a run of similar holiday cards from the same series, it may be the work of a known artist even without a signature.

How to find a signature

Look along the bottom edge and in the lower corners of the design, where artists usually signed. Signatures can be small and woven into the picture. Some cards credit the artist on the back instead.

Artist-signed cards in a collection

Signed greetings and glamour cards are common in family albums from the golden age. Most signed Christmas and birthday greetings are worth modest amounts, while sought-after artists and designs stand out. When I review a collection, I note signed cards and look closely at the artists with strong followings.

Kewpies and character cards

Rose O'Neill's Kewpies, cheerful cherub-like figures that first appeared in magazines in the 1900s, became a national craze and appeared on postcards, dolls and advertising. Kewpie postcards, especially signed designs for holidays and suffrage, have a dedicated following. Other recurring characters on early postcards, from comic strip figures to advertising mascots, attract collectors of those characters as well as postcard collectors.

Fine art cards

Some publishers reproduced famous paintings on postcards, and Art Nouveau artists designed original work for the format. Fine art cards in the decorative styles of the period, with flowing lines, stylized women and floral borders, are prized by collectors of art and design. Look for signatures, European publishers, and card stock and printing of noticeably high quality.

Questions people ask

Are Ellen Clapsaddle postcards valuable?

Many are worth several dollars to tens of dollars; her Halloween and scarcer designs can be worth more.

Are Harrison Fisher postcards worth anything?

They are collected, with values depending on the design, publisher and condition.

What is the most valuable artist-signed postcard?

Fine Art Nouveau cards by artists such as Mucha are among the most valuable in the field.

Do all artist-signed cards have value?

Not necessarily much; common greetings by prolific artists are modest. The artist, design and condition matter together.

Do you buy artist-signed postcards?

Yes, as part of a complete collection.

Glamour and the Gibson Girl era

The early 1900s idealized the fashionable modern young woman, popularized by illustrators such as Charles Dana Gibson, whose "Gibson Girl" defined the look of the era. Many postcard artists drew in this style, and glamour cards of elegant women in large hats and flowing gowns were hugely popular. Collectors of glamour cards follow particular artists and publishers, and cards in bright, clean condition are preferred.

Children on postcards

Children were one of the most popular subjects for postcard illustrators, appearing on holiday greetings, birthday cards and everyday scenes. Artists like Clapsaddle, Brundage and many others specialized in round-cheeked children in seasonal settings. Their work defines the look of early American greeting postcards, and holiday designs with children remain widely collected.

Photographing signed cards for a quote

Photograph signed cards close enough that the signature is readable, plus one back to show the publisher. If there are many by the same artist, one photo of them together is enough.

Are Kewpie postcards valuable? Signed Rose O'Neill Kewpie cards are collected, with holiday and suffrage designs especially popular.

Are Louis Wain cat postcards valuable? Wain cards have a strong following, particularly in Britain, and fine examples can be valuable.

Should I look for signatures before asking for a quote? Not necessary. If you notice any, mention them; otherwise I will spot them in the photos.

Sources and further reading

Ready to sell? Compare where to sell old postcards, or see how to sell old postcards step by step.

Frequently asked questions

What kinds of old postcards do you buy?
Real photo postcards above all, especially small-town streets, storefronts, occupations and transportation. Also town views, embossed holiday cards (Halloween especially), topicals such as railroads, early cars, advertising, disasters and expositions, and whole inherited or estate collections. See what I buy.
Do you buy chrome or modern postcards?
Inside a larger older collection, yes, I take them with everything else. A collection of only glossy chrome cards from about 1960 onward has very little resale value, so I usually decline those on their own.
Do you buy foreign postcards?
When they come mixed into an American collection, yes. My focus is United States cards, but I take foreign cards along with the rest of the lot.
What if I have no idea what I have?
That's a very common situation, and it's fine. Describe what you can see in plain words (albums or boxes, roughly how many, black and white photographs or colored prints) and add a few photos. I'll tell you what it is.
Do you buy small lots or single cards?
My focus is collections and large lots, but a smaller group of good real photo postcards, early holiday cards or strong topicals is welcome. A handful of common printed views usually isn't worth shipping, and I'll tell you so honestly.
Should I send the albums or take the cards out?
Send the albums as they are. Removing cards can damage them, especially if they are glued or held by old photo corners, and an intact album tells me more about the collection.

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If what arrives is different from the photos and my offer has to change, you can say no, and I ship everything back to you at my expense.

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